Thursday, December 31, 2009
Avebury: A Walk Through a World Heritage Landscape
Down on the Ground!
Three days earlier, on a Wednesday, Mark, who works for a real estate firm, came home to find a green Honda Accord parked in front of his house in an upper-class neighborhood of Austin. As he walked by the car, he noted that the windows were rolled down and the keys were in the ignition. He assumed that the car belonged to someone visiting his girlfriend, but when he entered his house to find only his girlfriend home, he thought, “Oh, well, their probably visiting a neighbor.”
The next morning, the car was still parked there and he assumed that someone was visiting from out of town or had simply slept over. Mark continued on to work at the real estate firm and forgot about the little green Honda parked in front of his home. But that night, the car was still there, apparently unmoved.
The young couple became concerned about the car, specifically what had happened toe driver of the car. Mark knew most of his neighbors and had never seen the car in the neighborhood before. He decided to see if he could locate the owner to tell them that leaving the keys in the ignition and the windows rolled down was not a good idea. He went door-to-door in the neighborhood but no one knew anything about the car. Neighbors expressed concern over the car and why it might have been abandoned in front of their homes.
Finding no owner and no one who knew anything about the car, Mark decided that maybe the car had been stolen and abandoned in front of his home, so he did what most of us would have done - he called the police. Two police officers showed up after a while and when Mark asked them, “isn’t it strange that someone parked their car there with the windows rolled down and the keys in it?”
The police responded with, “It’s parked legally. What’s the problem?” After seven minutes of conversation, the police officers left without so much as looking at the car or it’s contents. Mark and Asia thought this was strange, that the police acted like they didn’t care about whether the car was stolen or that the driver had disappeared. But they had done all that they could do.
That morning as Mark left to go to work the car was there and when he came home that evening he grew more concerned. He and Asia begin to worry and they could only imagine the worse. They knew that if their car was stolen and someone found it setting on a residential street they would want it reported. But the police had not written up a report on the car. So there was no record of the car and it’s location.
They also worried about what has happened to the driver. Mark and Asia went out to look at the car and noticed what appeared to be a top to a woman’s bikini in the back seat and the key ring hanging from the ignition certainly looked like they belonged to a woman. But, as they walked around the car, they became increasingly worried. The drivers side rear window had been broken and there was shattered glass on the seat. There was also a pair of men’s work boots and some rope in the car.
While on the surface there was nothing there to tie the car or the missing driver to a crime, it did worry Mark and Asia. Perhaps from watching too many cop shows on television or reading too many murder mysteries the couple had questions. Who had left the car there, and why? What if something strange was going on? Shouldn't the police investigate?
On Saturday night the couple went out to rent a movie and buy some ice cream. They noticed the car and their worries returned. When they returned to the house, Ledford went back outside and starred at the car for a long time. He knew that something had to be done. He went back in the house and told Asia that he was going to look in the car to see if he could locate the owner. Maybe there was some mail, a bill with the owners name and if so, all he had to do was call them and tell them that their car was parked out front of his home. Problem solved.
However, with their overactive minds and because of the broken rear side window, the couple still considered that the car might have been involved in a crime. The couple consider that they had reported the car to the police and they did nothing. It was time to get to the bottom of this. Ledford decided to put on a pair of gloves thinking, if this is a crime scene he didn’t want to leave any fingerprints.
They walked down their drive to the parked car and opened the door. They were searching for something that would lead them to the owner of the car. With no flashlight handy, Mark used his cell phone to illuminate the interior of the car to inspect the car’s interior. Not finding anything, he took the keys from the ignition to check the trunk, but the trunk lock was jammed. Still nothing. Mark put the keys back in the ignition and as he and Asia stood on the sidewalk thinking about what to do, a police car with flashing lights sped around the corner toward them. Police officers jumped from the car as it rolled to a stop behind the Honda and begin yelling, “GET ON THE GROUND, NOW!
Mark tried to explain that he was the homeowner and that he was simply inspecting the car to identify the owner. The police only kept waving their guns and yelling for the couple to get on the ground.
The couple were handcuffed as they lie on the damp ground. The police read them their rights and they waived their right to a lawyer. Finally, Detective John Spillers showed up and they explained their story to him. Neither Mark nor Asia had ever been arrested and had no criminal record. The police eventually took the cuffs off of the couple and released them.
Shaken, but glad to have survived the incident of having police wave guns in their face, the couple went into their home, ate their ice cream and watched a movie. Later, they were still angry at what had transpired. How could they have done the wrong thing? They were only trying to help. The couple went to bed that night thinking the ordeal was over and that perhaps they should think twice before trying to be good Samaritans.
But the ordeal was not over for the young couple. Not by a long shot. Sixteen days later, on Asia’s birthday, the police knocked on their door again. In lieu of drawn guns they came with an affidavit and arrested the couple on a charge of burglary of a vehicle, a Class A misdemeanor that carries a penalty of up to a year in jail and up to a $4,000 fine. The affidavit, written by Detective John Spillers, notes that Ledford was wearing gloves to avoid leaving prints, and both he and his girlfriend "admitted that Mark had tried to get in the trunk."
Of course, as it often the case with arrest affidavits, it did not mention both sides of the case. It did not state that the couple had called police to report the car or that the car was parked in front of their home for three days with the windows rolled down and the keys in the ignition. Nor, did it mention the broken rear window and the shattered glass on the rear seat. Any one of which would have caused a reasonable person to become suspicious and look in the car.
Detective Spiller stated in the affidavit that the defendant’s actions constituted more than mere curiosity or trying to locate the owner’s information. And is always the case, Detective Spiller nor the prosecutor, Assistant County Attorney Vicki Ashley, are commenting on the case.
Mark and Asia say they were offered deferred prosecution, which would waive any penalties as long as they sign a confession and don't commit a crime for a year. But they refuse to confess to an offense they say they didn't commit.
"If they want to charge us with trespassing, then fine, we’re guilty," Ward said. "But we did not burglarize a vehicle."
But wait! This is not the end of the story. The affidavit did not tell the whole story nor did the officers involved in the incident. Remember, those two officers who responded to the initial call to investigate the parked car? As it turns out they knew exactly why the Honda was parked in front of the couple’s home.
Remember how quickly the police came speeding around the corner when Mark and Asia were looking in the car? They were in on the deal too. You see the car wasn’t stolen or had it been involved in a crime. The police themselves had purposely left the little green Honda Accord parked in front of Mark’s home.
The Honda was a “bait vehicle,” armed with video surveillance equipment, GPS tracking system and an alarm, which notified the police that the vehicle had been tampered with. The Austin police have been using the bait vehicle program since 1997 and have up to nine cars parked at any one time on the streets. They simply park the car, leave the keys in the ignition and wait for someone to take the bait. The GPS tracking units make the cars easy to find and because the entire episode is captured on videotape, a conviction is easy to secure. The trunk of the car is filled with equipment and that’s why the trunk is secured.
Sergeant Oliver Tate with the Auto Theft Interdiction Unit, which oversees the bait car program stated that the bait car program produced 70 warrants or arrests in 2008. That’s right they don’t always catch the person who tampers with or steals the car. This year they have had only 13 warrants or arrests, down considerably and there is a push on to make more arrests to keep the program alive. They refuse to say how much the program costs, but in 2007, the City Council received an $85,287 one-year grant from the state for the bait car equipment alone.
The bait car program is being used in police departments throughout the United States. The police state that the program is not generally considered entrapment because the police don’t actively encourage people to burglarize or steal the vehicle but only provide the temptation. Although police are not talking about the number of convictions that have resulted from the arrests, they do admit that the youngest person arrested was only 13 years old.
Perhaps the police departments don’t think this through clearly. While they are stating the purpose of the program is supposed to act as a deterrent to auto burglary and theft, they are actually promoting the acts of crime. This doesn’t make sense to most people. We have been made to believe that the deterrent is supposed to be the penalty for a crime - you steal a car and you go to jail.
Sergeant Tate states that they look at the past auto burglary and theft cases and attempt to set up similar scenarios to match. They often leave a car parked in front of a convenience store with the keys in the ignition with the engine running in an attempt to get someone to steal the car. Or they park the car in a high crime area, leaving the keys in the ignition and the windows rolled down. He stated that the police attempt to set up the most tempting situations to make as many arrests as possible.
The police are not acting alone in this. The cars are often supplied by insurance companies, which supposedly have a stake in reducing car burglaries and theft. But, even this is flawed. The insurance companies only make money if people have the fear that their vehicle is burglarized or stolen. If the crimes went away – so would the billons of insurance money. No business purposefully runs themselves out of business.
And what about that slogan on the side of the police cars – To Protect and Serve? Who are they protecting and serving with the bait program? It would seem that there are better ways of protecting and serving the tax payers than by tempting the unsuspecting 13-year-old children into going for a joy ride. And, speaking of joy rides…
It seems another neighbor also called the police department after observing the car sitting there for days. Again, nothing was done about the report and the police continued to leave the car in place. The neighbors spoke about the car and why someone would just leave it there for days. They came to the conclusion that someone had broken down and abandoned the car. A young man visiting with the neighbor that called police, decided to see if the car was broken down. He drove the car about 50-feet and then backed up and parked the vehicle in the same place it had been setting.
That joy ride netted the young man, who had no prior criminal record, an arrest. He was charged with unauthorized use of a motor vehicle, a felony offense. The charge was later reduced to a Class A misdemeanor, and the young man was given deferred adjudication and is now serving an 18-month probation. The test drive cost him dearly. Now he has a criminal record that will haunt him for the rest of his life. He is also out the $5,000 lawyer fee to get released from jail, and he has to pay $190 a month to his probation officer for the next 18-months.
All of this could have been avoided if the police had simply informed the citizens in the neighborhood that the bait car was being left there and asked that they cooperate with the police department. If the police had told the concerned callers that tried to report the car the truth, three arrests of innocent people could have been avoided.
But is leaving these bait cars on the street really a good idea. These are working cars, with a full tank of gas and with keys in the ignition. What is to keep a child of any age from crawling into the car and going for a joy ride? This particular car was left near McCallum High School with lots of school kids walking by each day. It would surely have tempted some kid to dare another kid to take the car for a joy ride.
We have all seen the car chases on the 10:00 p.m. news, which endanger lives and property as the Keystone-like cops chase the car around town at high speed, sideswiping bystanders, driving down one-way streets, and across yards where small children are playing. And, we all know how the chase ends – usually when the car hits another car or the front of a home.
During these chases is a total disregard to protect and serve anyone other than making the arrest, which ultimately puts money in the coffers of the police. And, yes, arrests are about the money. Crime seems to pay more to the police, lawyers, court systems, jails and prisons than it does the criminals. Of course, the criminals shouldn’t reap benefits from crime, but still.
Sergeant Tate states that he hasn’t heard of a police department being held liable for what happens when a bait car is driven away. As far as the police department is concerned, he said, it doesn't matter whether it's a hardened auto thief who takes the bait or an opportunist who does so simply because a vehicle is there for the taking.
"Let me ask you something: If you see a car with the keys in it, would you take it?" Sargeant Tate said. "There are hundreds of people walking by these cars, and they make the choice to keep walking. The bottom line is this: If you see a car that doesn't belong to you, don't take it."
But, maybe the police department be worried about liability. Maybe they should be worried about their responsibility to the public and to the safety of all involved. Maybe they should be concerned with morality. Because if they are not, then who will protect and serve us?
Meanwhile, Mark and Asia said their arrest has had a huge impact on their lives. Ward said she suspects she's already been turned down for two jobs and a volunteer position because of the criminal charge against her.
The experience has made them both more cynical, both about law enforcement and the ability to make a difference in the world by doing the right thing. "To hell with being a concerned citizen," Mark said. "You hear stories of someone getting mugged and no one gets involved. Now I see why."
The couple will be in court tomorrow to explain their story to a judge. They are hopeful that right will prevail and that the judge will be clearheaded enough to see the injustice of the incident. Good luck with that one!
Reference - Lost Cities & Lost Treasure
- The Atlas of Lost Cities: Legendary Cities rediscovered
- The Atlas of Lost Treasures - John Levy
The Atlas of Lost Cities
"The Atlas of Lost Cities" explores some of the most extraordinary ancient cities from around the world that have been abandoned, forgotten or hidden by time, and ponders the lessons they can teach us today. This fascinating book examines the role of natural and man-made disasters, rulers and hostile neighbours and the fate of cities built to celebrate religious beliefs and enshrine gods and deities. It traces the lost beauty and ancient wisdom embodied in such key sites as Borobodur in Java and Aphrodisias in Turkey and examines the causes of the failure of cities such as Niya in Central Asia and Mesa Verde in Colorado that had thrived for centuries. This is a thought-provoking and illuminating reference work for everyone fascinated by ancient civilizations.
The Atlas of Lost Treasures
From the Anglo-Saxon Kings' treasure trove at Sutton Hoo to the sensational discovery of the Dead Sea Scrolls, this book explores treasures both ancient and modern lost, stolen, seemingly destroyed and miraculously rediscovered. The book will include the search for such legendary treasures as the Ark of the Covenant and the Holy Grail, as well as accounts of the disappearance of wonders of the ancient world including the Statue of Zeus at Olympia and the Colossus of Rhodes. Detailed, sumptious artwork reconstructions will show the treasures in situ in their original temples, palaces and throne rooms, and will take you on a treasure-hunting journey around the world.
English Heritage - Festival of History
GDC EUROPE 2009
Wednesday, December 30, 2009
Why are Hospitals Cold?
Long Tones - Christ In The New World
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Art by Graham.
Opus Artz - New Denizens
Pirate day – explore London’s hidden treasures, old and new
There are other rivers of London which lie concealed, encased in tunnels or in pipes, occasionally to be heard but generally running silently and invisibly beneath the surface of the city. To name them in order, west to east – Stamford Brook, the Wandle, Counter’s Creek, the Falcoln, the Westbourne, the Tyburn, the Effra, the Fleet, the Walbrook, Neckinger and the Earl’s Sluice, the Peck and the Ravensbourne.
It has always been said that enchantment is bought in the burying alive of great waters, yet the purchase may be a perilous one.
Peter Ackroyd, ‘London’ p 555
CITY OF LONDON & PIRATES
The City of London is built on burial sites, on entombed rivers and buried treasure.
In the ‘Golden Age’ – from about 1650 – 1720 – pirates operated from London, many licensed by the State. Pirates were lodged in Deptford – right next to Greenwich and the Royal Navy who often pursued them on the High Seas – and on the other side of the Thames, at Wappingside.
The Neckinger – a stream that ran from Bermondsey Abbey to the Thames, part of which is now St Saviour’s Dock – took its named from Neckinger Wharf where pirates were executed, according to folklore. The rope used to hang them became known as the Devil’s neck-cloth or ‘neckinger’.
PIRATE PLUNDERPirate loot was carefully reinvested. Many of London’s great institutions built their foundations on pirate plunder: the silver of the Incans and the gold of the Aztecs. Stolen from civilisations of the New World, seized again from foreign ships of the Old World by British privateers, and brought back to London. This money paid for the growth of the City.
The history has been paved over, buried beneath the streets and the every day by bricks and mortar. Dark subterranean veins – associated with crime, alcohol, deformity, disorder, stench and agues – run through London’s financial heart.
The lost rivers have become repositories for discarded and forgotten objects. An anchor was recovered from the Fleet as far North as Kentish Town. Their silted arteries yield coins, daggers, brooches, medals, keys and pins. Things dropped between grates, by accident. Sentimental keepsakes washed into the underworld by the wind and the rain.
Phone Tim on 07905 277719 for more details, or email info@thebeekeepers.com.
- Discover the lost rivers connecting London: we will be processing along the routes of the Fleet, Tyburn and Walbrook, looking for clues revealing their progress through the City and finding buried treasure along the way.
- Unearth the City’s past: we will visit the sites of City institutions that did very well out of piracy. Bring a spade and an open mind.
- Spin a yarn: there will be readings at the Treehouse Gallery from Robert Louis Stevenson, Daniel Defoe and other writers inspired by the piratical past.
- Recover the loot: make your own treasure. The Beekeepers will run workshops to make precious things – rings, bracelets, bookmarks, you name it – from recycled materials, ingenuity and pluck.
- Hunt for treasure: the treeHouse Gallery is a treasure-trove of knowledge and ideas. We’ve buried some clues around the place.
- ‘X’ marks the spot: Pirates operated a kind of anarchist democracy. We’ll be staging a debate: should piracy be renationalised? Join in and cast your vote.
Tuesday, December 29, 2009
Opus Artz - space painting e-book
3D Total: Space Painting - Tutorial eBook
This mammoth 161 page eBook is an extremely detailed exploration
of the techniques and design approaches behind creating epic and lavish digital artwork relating to the theme of Space and Science Fiction.The series is divided into three main categories; Planets & Starfields, Transport and Environments and spans across 12 in depth chapters in total. The tutorials on offer cover a multitude of techniques and useful tips and tricks to painting all aspects of space and deals with the tools in Photoshop used to create such effects.
The author covers a multitude of the aesthetic considerations behind producing the wide array of both digital and traditional artwork alike,
as well as much of the scientific theory relevant to the design process ensuring a measured and realistic approach to the subject matter.
We look at traditional sketching techniques common to many design studios and how these practices work hand in hand with digital methods and all along ensuring a practical approach to solving the artistic issues, producing both plausible and yet imaginative concepts.
The Splendorous Form of Noise
The above is a compilation of works by the Swiss artist Zimoun.
1. Funny, one keeps telling oneself, enough of the minimal already, somehow feeling that less is a bore should be embraced, and the outrageously overflowing art of the recent years - appreciated and encouraged. And then, something like this appears, and it's irresistible. We've seen things from this universe before, also on this blog, and yet, the simplicity, yes, the damn purity takes over again.
2. I had a chance, recently, to visit several large factories. There were wonders there that could probably match most of the things on this video. Yet there was one thing they couldn't do: be useless. It's the sheer uselessness of it that gives it the power. We are not attached to anything but the thing. Art as the thing-that-cannot-be-used? Not necessarily, not in some purist sense. Great industrial design is to be cherished. And yet, there is a level of insanity here, of out-of-this-world-ness, that takes us to an exotic land, allowing for the silliest and most delicious connections to be made.
3. Luxury requires waste. A truly luxurious lifestyle is one where perfectly good things get wasted, as if to outplay their natural use and dying away. The true master of luxury seems to be saying her opulence is so great, the very perseverence of things is no match - they lose their original function and only exist to the extent they are participating in this out-of-this-world-ness of luxury.
You know what I'm aiming at? Here's the hypothesis:
4. This, this minimalist joyful pleasure-making, is the true luxury. Not the apparent richness of the new complexities. In the world of useless purity, everything only serves the joy of simple aesthetic pleasure. More complex works are not quite like that - they have an inner game to play. The elements enter a dialogue, start relations and societies, with their conflicts and functions and disruptions. Here, there is only the ping of a shot of pleasure. This engine moves nothing. It is here to make me smile (or bring inspiration, or scare) - and I turn it off as soon as I have. And don't be mistaken - if I had one of those and got bored with and could afford it, it would go to waste.
4a. Ah, you might say, but the truly great art is one we don't get bored with. Possibly. Yet how often do we actually go back to contemplate (not just think about or admire or analyze) a work of contemporary "minimalist" art? Does it mean it's because it's not that great? What if it's about something else? What if it is an element of luxury, a game we play with ourselves, to feel the exquisite taste of the sophisticated dish, and then to ditch it as soon as we're fed up? It wouldn't be a question of bluff, of fakeness, of shallowness. It would be a question of use. Of why we crave it, this new. Of how we make it useful after all.
David Foldvari, Wrestler
(via)
The Splendorous Form of Noise
The above is a compilation of works by the Swiss artist Zimoun.
1. Funny, one keeps telling oneself, enough of the minimal already, somehow feeling that less is a bore should be embraced, and the outrageously overflowing art of the recent years - appreciated and encouraged. And then, something like this appears, and it's irresistible. We've seen things from this universe before, also on this blog, and yet, the simplicity, yes, the damn purity takes over again.
2. I had a chance, recently, to visit several large factories. There were wonders there that could probably match most of the things on this video. Yet there was one thing they couldn't do: be useless. It's the sheer uselessness of it that gives it the power. We are not attached to anything but the thing. Art as the thing-that-cannot-be-used? Not necessarily, not in some purist sense. Great industrial design is to be cherished. And yet, there is a level of insanity here, of out-of-this-world-ness, that takes us to an exotic land, allowing for the silliest and most delicious connections to be made.
3. Luxury requires waste. A truly luxurious lifestyle is one where perfectly good things get wasted, as if to outplay their natural use and dying away. The true master of luxury seems to be saying her opulence is so great, the very perseverence of things is no match - they lose their original function and only exist to the extent they are participating in this out-of-this-world-ness of luxury.
You know what I'm aiming at? Here's the hypothesis:
4. This, this minimalist joyful pleasure-making, is the true luxury. Not the apparent richness of the new complexities. In the world of useless purity, everything only serves the joy of simple aesthetic pleasure. More complex works are not quite like that - they have an inner game to play. The elements enter a dialogue, start relations and societies, with their conflicts and functions and disruptions. Here, there is only the ping of a shot of pleasure. This engine moves nothing. It is here to make me smile (or bring inspiration, or scare) - and I turn it off as soon as I have. And don't be mistaken - if I had one of those and got bored with and could afford it, it would go to waste.
4a. Ah, you might say, but the truly great art is one we don't get bored with. Possibly. Yet how often do we actually go back to contemplate (not just think about or admire or analyze) a work of contemporary "minimalist" art? Does it mean it's because it's not that great? What if it's about something else? What if it is an element of luxury, a game we play with ourselves, to feel the exquisite taste of the sophisticated dish, and then to ditch it as soon as we're fed up? It wouldn't be a question of bluff, of fakeness, of shallowness. It would be a question of use. Of why we crave it, this new. Of how we make it useful after all.
David Foldvari, Wrestler
(via)
Karma Voting?
Karma is nothing more than moral causation. It was “invented” in India and later explained by the Buddhist as a perception of a totally ill-balanced world. It speaks to the inequalities and manifold destinies of individuals and the many grades of those individuals.
In the context of message boards, karma “voting” satisfies the need of lower class individuals to attempt to even out these differences, to seemingly give themselves some measure of importance and equality. It is a race for superiority, a false belief of the measure of the individual. It is used by the uneducated in a false attempt to increase their own mental, moral and physical qualities over another. The more karma one achieves, the more virtuous and holy they are, while demeaning others as poor, miserable individuals in spite of their own honesty and piety.
In truth, no individual can alter another person's karma. Karma is a natural occurrence. There is nothing in this world that happens by blind chance or accident. Strictly speaking, nothing happens to man that he does not deserve for some reason or another, and the act of another individual cannot change ones true karma. Anyone who attempts to alter another person's karma is falsely acting as a god of sorts. And, who among us would believe that anyone who acts as a god is not delusional? Or an elitist?
Who among us has commanded water to seek it’s own level, that fire should burn or that the sun shall give life? These are intrinsic characteristics. Karma is neither fate nor predestination imposed by another. It is one’s own doing reacting on oneself, and only the individual has the power to divert the course of their own karma to any extent.
No, the use of karma on a message board is nothing more than an illusion, a lie to those who are led to believe that it will make some difference in the scope of things. And, yes, someone, perhaps more than one of the 252 users of this board believe in this false karma. I believe it is laughable and an insult to the intelligence of others on the board.
I have attempted to show the absolute idiocy in the choice of this “feature” as a “tool”. It does nothing more than feed the idiots who believe that it is a truism and ends up destroying what is claimed to be a community. In a real community, individuals strive to come together as equals for the common good, hence the word “community!”
If one really wants to create harmony in the community, they will strive to pull people together, be honest in all that they do, help others even at the cost of their own well-being and be a good person!
You have to question why anyone would want to put into place a tool that works against the very community that they have tried to create. Anyone with a shred of intelligence sees that this is counterproductive. Or is it really just a form of reverse karma? And, if so, it is pure genius?
Reverse karma has been associated with the sages and prophets over time: The sun being the center of the solar system and the world being round and not flat are two concepts that were immensely unpopular at the time of their first suggestion. In the spectrum of life: it is sometimes the unpopular 2-percent of opinions that change worldview.
Bottom line: I don't care about judged karma. I absolutely know that I am in control of my own karma and it cannot be altered by others.
ON THE DIFFICULTY OF DRAWING WOMEN'S FACES
But as the astute Goethe noted, "Nothing is harder to take than a succession of fair days," and every once in a while (usually at the end of a year in which one hasn't met his full quota of foolhardy behavior) a person will deliberately risk life and limb by exploring the significance of those differences out loud.
It is in that spirit that I set out today to consider why it is more difficult to draw women's faces than men's faces.
Artists quickly learn that men's faces are easier to draw because men have bone structures and muscle groupings that are more pronounced than women's. Male heads are generally more blocky and angular; they tend to have stronger jaws, square chins and prominent brows. These features provide artists with easy opportunities to employ distinctive lines, strong shadows and recognizable shapes to achieve a resemblance.
From the Famous Artists School course materials, "Constructing the Head and Hands."
Women's faces, on the other hand, tend to be smoother and softer, with rounder shapes and subtler, more delicate features which require greater restraint.
Another difference that makes men's faces easier to draw is that, "as the man matures he develops larger, deeper wrinkles while the woman develops smaller ones because her skin is finer textured and her bones and muscles are less prominent." If an artist wants to capture a likeness using lines, it is much easier if the subject has lines that were already mapped by nature.
Note in the following examples how men's sharper angles, prominent facial muscles and deeper wrinkles have provided artists with more tools for describing a form.
Here, Mort Drucker sculpts the male face, but on the woman's face he stops with just the outline. Her features can't be rendered effectively using the same kind of approach, and must be implied instead.
Here, Leonard Starr puts a strong chin, nose, cheekbones and brow on the man (while making it clear from facial expressions that the woman has the stronger mind).
Here, Norman Lindsay tries to deal with the difference between men and women by using small dots to convey the woman's features, while using lines for the man.
The special challenge of a woman's face is that it compels artists to describe subtler forms with fewer lines and less obvious shapes, depriving artists of some of the most fundamental tools in their tool kit. In the following image, Leonard Starr limits himself to little more than an outline of the face but nevertheless gives us important information about the contour of her cheek simply by leaning more heavily on his brush on portions of the right side of her face.
So what is the larger significance of these observations about the differences in drawing the faces of men and women?
Part of the magical power of drawing is that it can lead us unexpectedly to larger truths. The principles we encounter in drawing the faces of men and women often seem rooted in fundamental realities about the sexes:
Like their faces, men's personalities are more easily reduced to a line than women's personalities. Like their facial features, men tend to be more obvious than women. (Artists frequently bear witness to such triumphs of physiognomy!)
Women, on the other hand, are sometimes best understood implicitly and indirectly; the discipline of describing form without heavy reliance on lines requires subtlety, appreciation and restraint but you can sometimes achieve a far better likeness that way.
Regardless of whether these larger principles resonate with you, I am sure we can all agree that if an artist lacks the patience for the complexity of ambiguity, you can't compensate for that lack by substituting more (or more emphatic) lines of the type that you use for a man's face. In such situations, "more" will invariably turn out to be "less."
Bioshock 2 illustrators Opus Artz join Tiga
Bioshock2 Illustrators Join TIGA
Extract:
Versatile British art studio wants to raise the profile of 'games as art'London-based art outsourcing group Opus Artz – which has recently produced concept art for Bioshock 2 – is the latest company to join games industry group Tiga.
The firm has international clients based in the film, game and publishing industries, with services ranging from key art to industrial design and concept art.
As well as providing its services for Bioshock 2, the group is also playing a part in Southpeak Interactive’s Edge of Twilight project.
The company’s founder, Dr Chee Ming Wong, said the group wanted to join Tiga to “raise the profile of video games as the 8th art”, and at the same time linked that concept to a speech made by Denis Dyack.
Opus Artz Joins TIGA
03 September 2009
Monday, December 28, 2009
Feel Like a Million with Just $100
No doubt, you could come up with a list of justifications for your feelings of scarcity and lack. Certainly the evidence is all around you: bills, debt, taxes, poor job market, and inflation. You can be as right as you want to be about your feelings of poverty. Indeed you can spend your whole life - like many people do - in "survival mode".
The problem is, you've been surviving just fine all your life. You're alive, you have a roof over your head, a warm place to sleep tonight, food in your belly…heck, you've even got an internet connection. How much more evidence do you need that you've long ago mastered the art of survival.
What you're looking for now is not a way to survive. You have that. You're looking for a way to thrive. And to start making that shift, here's an excellent little exercise.
The $100 process is simple. From your savings or your next paycheck (or, if need be, from the accumulation of little bits taken out of several consecutive paychecks), go to the bank and get yourself a $100 bill. Put that $100 bill in your wallet.
Then, as you go about your daily life, start to notice the various things you spend that $100 on. When you pass a favorite storefront window and see a coveted item calling you there, imagine yourself going into the store and buying it with that bill. Don't actually do it, now. Just imagine yourself doing it. Remind yourself that you could, if you really wanted to, have that item right here and now.
Do that as many times as you can throughout your day. Imagine yourself taking a cab (or a limo!) across town, instead of the bus. Imagine eating lunch at a fine restaurant instead of fast food. Imagine yourself in that new outfit you want. Imagine yourself buying a thoughtful gift for a loved one.
The more you imagine yourself spending that $100 in your pocket or purse, the more you align yourself with the vibration or energy of abundance. And because you have an actual $100 in your pocket or purse, it's more than make-believe, more than playing pretend. Because you actually do have the funds to pay for each of those things right here and now.
The fact that you choose not to spend it, rather than feeling forced by your financial situation into denying yourself, simply reinforces that feeling of abundance. It puts the power of having and not having in your hands, where it should be, rather than in the hands of fate and circumstance, where it does not belong.
In this way, you visualize yourself spending several thousand dollars a day, all the while maintaining a crisp $100 bill on your person. It makes you the decider of your fate, not some illusory life circumstances. And the more you practice doing this, the more and more aligned you will become with having all that you desire.
Prosperity and abundance - like scarcity and lack - are a state of mind. Approaching life from a place of prosperity and abundance is as valid and right and true as approaching it from survival mode. But just as evidence of your perceived poverty can be found all around you, so can equally unequivocal evidence of abundance.
Practice the $100 process and start making the shift now to seeing, and ultimately experiencing, the abundance all around you. Pretty soon you'll feel like a millionaire and you will still have your $100!