Thursday, December 31, 2009

Avebury: A Walk Through a World Heritage Landscape



Hi Folks, on the 25th of July Opus Artz & friends will be taking a deep plunge into the pre historic, archeology, art and exercise (12km walk) in the lands of Wiltshire, home to stonehenge, avebury and salisbury hill, salisbury cathedral, the quintisential english villages of Castle Coombe and Lacock, and the stately homes of Longleat house (and nearby Longleat wildlife preserve, largest hedge maze in the world) .

Since 1959, Professor Fowler has been studying the archaeology and history of Avebury World heritage site, he will take people both through the intricacies of this uninhabited landscape and to many of the particular places and sites within it.

These include the Valley of Stones, full of sarsen stones and geological interest, worked sarsen stones, burial places, fields and settlements of prehistoric, Roman, medieval and post-medieval date, and the Experimental Earthwork built in 1960. Both walks will start at 10.15am from outside the National Trust restaurant in Avebury; so each will begin with a 2 km walk through Avebury and along Green Street up on to The Ridgeway.

Down on the Ground!

Most of us have never heard those words and hope that we never do. Such was the case of Mark Ledford and his girlfriend Asia Ward when they were ordered to do so by members of the Austin Police Department early one evening in front of their home.

Three days earlier, on a Wednesday, Mark, who works for a real estate firm, came home to find a green Honda Accord parked in front of his house in an upper-class neighborhood of Austin. As he walked by the car, he noted that the windows were rolled down and the keys were in the ignition. He assumed that the car belonged to someone visiting his girlfriend, but when he entered his house to find only his girlfriend home, he thought, “Oh, well, their probably visiting a neighbor.”

The next morning, the car was still parked there and he assumed that someone was visiting from out of town or had simply slept over. Mark continued on to work at the real estate firm and forgot about the little green Honda parked in front of his home. But that night, the car was still there, apparently unmoved.

The young couple became concerned about the car, specifically what had happened toe driver of the car. Mark knew most of his neighbors and had never seen the car in the neighborhood before. He decided to see if he could locate the owner to tell them that leaving the keys in the ignition and the windows rolled down was not a good idea. He went door-to-door in the neighborhood but no one knew anything about the car. Neighbors expressed concern over the car and why it might have been abandoned in front of their homes.

Finding no owner and no one who knew anything about the car, Mark decided that maybe the car had been stolen and abandoned in front of his home, so he did what most of us would have done - he called the police. Two police officers showed up after a while and when Mark asked them, “isn’t it strange that someone parked their car there with the windows rolled down and the keys in it?”

The police responded with, “It’s parked legally. What’s the problem?” After seven minutes of conversation, the police officers left without so much as looking at the car or it’s contents. Mark and Asia thought this was strange, that the police acted like they didn’t care about whether the car was stolen or that the driver had disappeared. But they had done all that they could do.

That morning as Mark left to go to work the car was there and when he came home that evening he grew more concerned. He and Asia begin to worry and they could only imagine the worse. They knew that if their car was stolen and someone found it setting on a residential street they would want it reported. But the police had not written up a report on the car. So there was no record of the car and it’s location.

They also worried about what has happened to the driver. Mark and Asia went out to look at the car and noticed what appeared to be a top to a woman’s bikini in the back seat and the key ring hanging from the ignition certainly looked like they belonged to a woman. But, as they walked around the car, they became increasingly worried. The drivers side rear window had been broken and there was shattered glass on the seat. There was also a pair of men’s work boots and some rope in the car.

While on the surface there was nothing there to tie the car or the missing driver to a crime, it did worry Mark and Asia. Perhaps from watching too many cop shows on television or reading too many murder mysteries the couple had questions. Who had left the car there, and why? What if something strange was going on? Shouldn't the police investigate?

On Saturday night the couple went out to rent a movie and buy some ice cream. They noticed the car and their worries returned. When they returned to the house, Ledford went back outside and starred at the car for a long time. He knew that something had to be done. He went back in the house and told Asia that he was going to look in the car to see if he could locate the owner. Maybe there was some mail, a bill with the owners name and if so, all he had to do was call them and tell them that their car was parked out front of his home. Problem solved.

However, with their overactive minds and because of the broken rear side window, the couple still considered that the car might have been involved in a crime. The couple consider that they had reported the car to the police and they did nothing. It was time to get to the bottom of this. Ledford decided to put on a pair of gloves thinking, if this is a crime scene he didn’t want to leave any fingerprints.

They walked down their drive to the parked car and opened the door. They were searching for something that would lead them to the owner of the car. With no flashlight handy, Mark used his cell phone to illuminate the interior of the car to inspect the car’s interior. Not finding anything, he took the keys from the ignition to check the trunk, but the trunk lock was jammed. Still nothing. Mark put the keys back in the ignition and as he and Asia stood on the sidewalk thinking about what to do, a police car with flashing lights sped around the corner toward them. Police officers jumped from the car as it rolled to a stop behind the Honda and begin yelling, “GET ON THE GROUND, NOW!

Mark tried to explain that he was the homeowner and that he was simply inspecting the car to identify the owner. The police only kept waving their guns and yelling for the couple to get on the ground.

The couple were handcuffed as they lie on the damp ground. The police read them their rights and they waived their right to a lawyer. Finally, Detective John Spillers showed up and they explained their story to him. Neither Mark nor Asia had ever been arrested and had no criminal record. The police eventually took the cuffs off of the couple and released them.

Shaken, but glad to have survived the incident of having police wave guns in their face, the couple went into their home, ate their ice cream and watched a movie. Later, they were still angry at what had transpired. How could they have done the wrong thing? They were only trying to help. The couple went to bed that night thinking the ordeal was over and that perhaps they should think twice before trying to be good Samaritans.

But the ordeal was not over for the young couple. Not by a long shot. Sixteen days later, on Asia’s birthday, the police knocked on their door again. In lieu of drawn guns they came with an affidavit and arrested the couple on a charge of burglary of a vehicle, a Class A misdemeanor that carries a penalty of up to a year in jail and up to a $4,000 fine. The affidavit, written by Detective John Spillers, notes that Ledford was wearing gloves to avoid leaving prints, and both he and his girlfriend "admitted that Mark had tried to get in the trunk."

Of course, as it often the case with arrest affidavits, it did not mention both sides of the case. It did not state that the couple had called police to report the car or that the car was parked in front of their home for three days with the windows rolled down and the keys in the ignition. Nor, did it mention the broken rear window and the shattered glass on the rear seat. Any one of which would have caused a reasonable person to become suspicious and look in the car.

Detective Spiller stated in the affidavit that the defendant’s actions constituted more than mere curiosity or trying to locate the owner’s information. And is always the case, Detective Spiller nor the prosecutor, Assistant County Attorney Vicki Ashley, are commenting on the case.

Mark and Asia say they were offered deferred prosecution, which would waive any penalties as long as they sign a confession and don't commit a crime for a year. But they refuse to confess to an offense they say they didn't commit.

"If they want to charge us with trespassing, then fine, we’re guilty," Ward said. "But we did not burglarize a vehicle."

But wait! This is not the end of the story. The affidavit did not tell the whole story nor did the officers involved in the incident. Remember, those two officers who responded to the initial call to investigate the parked car? As it turns out they knew exactly why the Honda was parked in front of the couple’s home.

Remember how quickly the police came speeding around the corner when Mark and Asia were looking in the car? They were in on the deal too. You see the car wasn’t stolen or had it been involved in a crime. The police themselves had purposely left the little green Honda Accord parked in front of Mark’s home.

The Honda was a “bait vehicle,” armed with video surveillance equipment, GPS tracking system and an alarm, which notified the police that the vehicle had been tampered with. The Austin police have been using the bait vehicle program since 1997 and have up to nine cars parked at any one time on the streets. They simply park the car, leave the keys in the ignition and wait for someone to take the bait. The GPS tracking units make the cars easy to find and because the entire episode is captured on videotape, a conviction is easy to secure. The trunk of the car is filled with equipment and that’s why the trunk is secured.

Sergeant Oliver Tate with the Auto Theft Interdiction Unit, which oversees the bait car program stated that the bait car program produced 70 warrants or arrests in 2008. That’s right they don’t always catch the person who tampers with or steals the car. This year they have had only 13 warrants or arrests, down considerably and there is a push on to make more arrests to keep the program alive. They refuse to say how much the program costs, but in 2007, the City Council received an $85,287 one-year grant from the state for the bait car equipment alone.

The bait car program is being used in police departments throughout the United States. The police state that the program is not generally considered entrapment because the police don’t actively encourage people to burglarize or steal the vehicle but only provide the temptation. Although police are not talking about the number of convictions that have resulted from the arrests, they do admit that the youngest person arrested was only 13 years old.

Perhaps the police departments don’t think this through clearly. While they are stating the purpose of the program is supposed to act as a deterrent to auto burglary and theft, they are actually promoting the acts of crime. This doesn’t make sense to most people. We have been made to believe that the deterrent is supposed to be the penalty for a crime - you steal a car and you go to jail.

Sergeant Tate states that they look at the past auto burglary and theft cases and attempt to set up similar scenarios to match. They often leave a car parked in front of a convenience store with the keys in the ignition with the engine running in an attempt to get someone to steal the car. Or they park the car in a high crime area, leaving the keys in the ignition and the windows rolled down. He stated that the police attempt to set up the most tempting situations to make as many arrests as possible.

The police are not acting alone in this. The cars are often supplied by insurance companies, which supposedly have a stake in reducing car burglaries and theft. But, even this is flawed. The insurance companies only make money if people have the fear that their vehicle is burglarized or stolen. If the crimes went away – so would the billons of insurance money. No business purposefully runs themselves out of business.

And what about that slogan on the side of the police cars – To Protect and Serve? Who are they protecting and serving with the bait program? It would seem that there are better ways of protecting and serving the tax payers than by tempting the unsuspecting 13-year-old children into going for a joy ride. And, speaking of joy rides…

It seems another neighbor also called the police department after observing the car sitting there for days. Again, nothing was done about the report and the police continued to leave the car in place. The neighbors spoke about the car and why someone would just leave it there for days. They came to the conclusion that someone had broken down and abandoned the car. A young man visiting with the neighbor that called police, decided to see if the car was broken down. He drove the car about 50-feet and then backed up and parked the vehicle in the same place it had been setting.

That joy ride netted the young man, who had no prior criminal record, an arrest. He was charged with unauthorized use of a motor vehicle, a felony offense. The charge was later reduced to a Class A misdemeanor, and the young man was given deferred adjudication and is now serving an 18-month probation. The test drive cost him dearly. Now he has a criminal record that will haunt him for the rest of his life. He is also out the $5,000 lawyer fee to get released from jail, and he has to pay $190 a month to his probation officer for the next 18-months.

All of this could have been avoided if the police had simply informed the citizens in the neighborhood that the bait car was being left there and asked that they cooperate with the police department. If the police had told the concerned callers that tried to report the car the truth, three arrests of innocent people could have been avoided.

But is leaving these bait cars on the street really a good idea. These are working cars, with a full tank of gas and with keys in the ignition. What is to keep a child of any age from crawling into the car and going for a joy ride? This particular car was left near McCallum High School with lots of school kids walking by each day. It would surely have tempted some kid to dare another kid to take the car for a joy ride.

We have all seen the car chases on the 10:00 p.m. news, which endanger lives and property as the Keystone-like cops chase the car around town at high speed, sideswiping bystanders, driving down one-way streets, and across yards where small children are playing. And, we all know how the chase ends – usually when the car hits another car or the front of a home.

During these chases is a total disregard to protect and serve anyone other than making the arrest, which ultimately puts money in the coffers of the police. And, yes, arrests are about the money. Crime seems to pay more to the police, lawyers, court systems, jails and prisons than it does the criminals. Of course, the criminals shouldn’t reap benefits from crime, but still.

Sergeant Tate states that he hasn’t heard of a police department being held liable for what happens when a bait car is driven away. As far as the police department is concerned, he said, it doesn't matter whether it's a hardened auto thief who takes the bait or an opportunist who does so simply because a vehicle is there for the taking.

"Let me ask you something: If you see a car with the keys in it, would you take it?" Sargeant Tate said. "There are hundreds of people walking by these cars, and they make the choice to keep walking. The bottom line is this: If you see a car that doesn't belong to you, don't take it."

But, maybe the police department be worried about liability. Maybe they should be worried about their responsibility to the public and to the safety of all involved. Maybe they should be concerned with morality. Because if they are not, then who will protect and serve us?

Meanwhile, Mark and Asia said their arrest has had a huge impact on their lives. Ward said she suspects she's already been turned down for two jobs and a volunteer position because of the criminal charge against her.

The experience has made them both more cynical, both about law enforcement and the ability to make a difference in the world by doing the right thing. "To hell with being a concerned citizen," Mark said. "You hear stories of someone getting mugged and no one gets involved. Now I see why."

The couple will be in court tomorrow to explain their story to a judge. They are hopeful that right will prevail and that the judge will be clearheaded enough to see the injustice of the incident. Good luck with that one!



Reference - Lost Cities & Lost Treasure

Hi folks,

Every artist - established or growing has at his or her disposal a decent and modest access to a available references and books on hand. This task and quest, is a lifelong one and I would recommend a gradual and considered consideration of purchases in order to ensure you have the appropriate reference (and not end up with stacks of un usable and out of data references that end up as being expensive door stops at best!)

Thus, I would like to introduce our studio Library recommendation with two new reference books that have joined our growing studio Library within the mythology and ancient treasures section.

Firstly, these books are produced by Octopus Books at http://www.octopusbooks.co.uk
and the following two books caught my eye in particular:

  1. The Atlas of Lost Cities: Legendary Cities rediscovered
  2. The Atlas of Lost Treasures - John Levy
Often when deciding the suitability of a reference book for our artists at Opus Artz, there is a fine balance between context and information vs visuals.

On one hand, the medical and scientific training background absorbs and revels in the raw data, history and random bits of datum in books typical of Mythology and Ancient History. On the other, I have to be mindful that a more visual centric reference can be more relevant.

I am glad to say, these Atlas series by Octopus books is just the right blend of visual temepered with information. Each area or region or object is split into two pages - filled with relatively informative narrative, visuals and additional data.

Thus, for anyone into historical concept art along the lines of action adventure, these two books come highly recommended!


Further Information



The Atlas of Lost Cities

Brenda Rosen

Imprint: Godsfield Press Ltd
Format: Hardback
Size: 279 x 240 x 22 mm
Pages: 176
ISBN: 9781841813271
Published: 15th January 2008

"The Atlas of Lost Cities" explores some of the most extraordinary ancient cities from around the world that have been abandoned, forgotten or hidden by time, and ponders the lessons they can teach us today. This fascinating book examines the role of natural and man-made disasters, rulers and hostile neighbours and the fate of cities built to celebrate religious beliefs and enshrine gods and deities. It traces the lost beauty and ancient wisdom embodied in such key sites as Borobodur in Java and Aphrodisias in Turkey and examines the causes of the failure of cities such as Niya in Central Asia and Mesa Verde in Colorado that had thrived for centuries. This is a thought-provoking and illuminating reference work for everyone fascinated by ancient civilizations.




The Atlas of Lost Treasures

Joel Levy

Imprint: Godsfield Press Ltd
Format: Hardback
Size: 279 x 240 x 20 mm
Pages: 176
ISBN: 9781841813363
Published: 15th October 2008

From the Anglo-Saxon Kings' treasure trove at Sutton Hoo to the sensational discovery of the Dead Sea Scrolls, this book explores treasures both ancient and modern lost, stolen, seemingly destroyed and miraculously rediscovered. The book will include the search for such legendary treasures as the Ark of the Covenant and the Holy Grail, as well as accounts of the disappearance of wonders of the ancient world including the Statue of Zeus at Olympia and the Colossus of Rhodes. Detailed, sumptious artwork reconstructions will show the treasures in situ in their original temples, palaces and throne rooms, and will take you on a treasure-hunting journey around the world.

English Heritage - Festival of History



Hi Folks,
Following our ancient days out on Saturday 24th July 2009, Opus Artz and Friends will be relocating camp further up north, in the expansive (3500 acres) grounds of impeccable and romantic gardens of Kelmarsh Hall, Northamptonshire for a weekend of live re-enactments and loads of sketching, drawing and inspiration.

So, if you are attending this festival, feel free to contact us and it would be good to share the experience and meet new art colleagues on this weekend of history

Here is a brief line up on what is on offer:


BRAND NEW FOR 2009
Agincourt 1415, Time Travellers Go..., Tudor Fashion Show, Beauty Secrets from the Past, A Norman Melee, King Henry's Joust



BIG BATTLE SPECTACULARS
Tank Attack 1944 with Aerial Display, English Civil War Battle, Heroes of the Empire, Tommies of WWII, Gladiators!, Soldiers of Waterloo




HISTORY LIVES
Grand Parade, The Victorian Gymkhana, Music Through The Ages, Roman Games, The Roman Imperial Army, Animals in History, The Historic Market

FAMILY FUN – It’s not just for kids!
Time Travellers Go..., Bzents, Family Activity Zone, Victorian Seaside, Penny Merriments, Trifles & Japery, Victory in the Garden, Heuristics: Tudor, Young Archaeologists' Club




HISTORICAL DIS
PLAYS
EH Archaeology & Buildings, Portable Antiquities, The National Monuments Record, Federation of Family History Society, Battlefield Trust, Northamptonshire Archaeology Society, Beauty in History, Turn the Key of Time, Pheonix wargaming Club

Happy New Year!


Video directed by Sou Ootsuki.

Happy New Year!


Video directed by Sou Ootsuki.

GDC EUROPE 2009



As is the tradition of Opus Artz, we will be organising a small exploration and art sketchmeet. Join us on Sat 15th and Sun 16th August 2009, as we tour and sketch this beautiful city prior to the Gamescon.

In addition, Opus Artz will be attending the upcoming GDC Europe, and welcome the opportunity to explore new business opportunities in the beautiful and historic city of Cologne.

See you there!

Wednesday, December 30, 2009

Why are Hospitals Cold?

This week I learned why the temperature is kept so cold in hospitals. In the mid 1800s there was a dominant idea that bad air quality caused disease. Therefore in order to treat sickness, an American physician and humanitarian, John Gorrie, built a refrigerator with the purpose of cooling air. Gorrie's refrigerator produced ice which he suspended from the ceiling in a basin.

Strange how an idea can stick with us over all these years.

While we are on the subject of ice I have recently been studying ice cubes for a project that I am working on. Specifically, I was researching the white flakes that can be found at the bottom of a glass of ice water after the ice has melted. I found that that as the ice cubes melt they precipitate white flakes, commonly known as "floaters". They are calcium carbonate, which is present in many water supplies and is completely harmless in small quantities.

Calcium carbonate is a chemical compound with the chemical formula CaCO3. It is a common substance found in rock in all parts of the world, and is the main component of shells of marine organisms, snails, pearls, and eggshells. Calcium carbonate is the active ingredient in agricultural lime, and is usually the principal cause of hard water. It is commonly used medicinally as a calcium supplement or as an antacid, but high consumption can be hazardous.

An interesting characteristic of commercially made ice cubes is that they are completely clear, lacking the clouding found in the center of domestically made ice cubes. As it turns out, cloudy ice cubes result when water is frozen quickly, or ice is allowed to form on the surface of the water.

When water is cooled to its freezing point, and ice starts to form, dissolved gases can no longer stay in solution and come out as microscopic bubbles. However, as ice floats in water, once there is enough ice to form a layer on the surface, the ice layer traps all bubbles within the ice cube. Ice-makers use a flowing source of water to make ice with cooling elements at the bottom, allowing the bubbles to be washed away from the top as the cube grows.

Ice Cube Trays

In the winter of 1928, Lloyd Groff Copeman was collecting sap for maple syrup on his farm. As he walked through the woods, he noticed that the ice flaked off of his rubber boots and an idea came to him. After studying this phenomenon he designed and patented different types of ice cube trays. The first was a metal tray with rubber separators, a metal tray with individual rubber cups, and even a tray made completely of rubber.

The first flexible stainless steel, all-metal ice cube tray was created by Guy L. Tinkham in 1933. The tray bent sideways to remove the ice cubes.

Long Tones - Christ In The New World

Long Tones is the amateur-clarinet and drone project of Joshua Barton that provided the screech and squawk in the soul-grinding Instant Headache collaboration with Save Me From The Gallup Poll. LT's solo short player establishes an entirely different sound of ambient delirium. Christ In The New World is based on a half-realized concept of Jesus Christ visiting the State of Michigan in a mashup of The Grand Inquisitor and Mad Max. But of course you wouldn't know that unless we told you. LT drops two blurry, live-tracked pieces of shifting headspace; the first centered on clarinet and voice, the second consisting of manipulated vinyl.

.
Art by Graham.

Opus Artz - New Denizens

Hi Folks,

This week I thought we share our new residents who have come to occupy the studio space at Opus Artz, and to provide fresh horror, inspiration and volumetric studies to our Opus artists.

At opus, we believe that the best way to understand form is to study a volumetric object in front of you (and it allows us to collect various..ahem - collectibles for research and painting purposes, strictly)

Think of it as a minor substitute to life drawing, but more portable, and handy, allowing you to study vast shadows and bounced light onto its forms, at your convenience.

BUST OF ARIADNE



First up is the lovely Ariadne, straight from the British museum. Legend has it that this lovely maiden (daughter of King Minos) , fell in love with Theseus and helped him overcome the legendary Minotaur at the centre of the Labyrinth of Crete. Later she was bridge to the god Dionysus.

Ariadne, is also said to the the fertility god of Crete, and her name may have been derived from ariahgne - meaning "utterly pure"


OPUS LYCANTROPE - AUSTIN



Next up, is newcomer Austin, a veritable Lycanthrope produced for Opus to better study and understand the realms of creatures, and monsters via form, texture and frozen motion. Our grateful thanks to the lovely Laurel Austin, whose innocent looking countenance masks the veritable guns, guts and glory of her daily duties as senior concept artist at Splash Damage.



All in all, expect some derivative studies and works in the near future.

- Opus Artz

Pirate day – explore London’s hidden treasures, old and new


This Sunday, August 5th sees a brilliant Pirate day and exploration into the lost rivers and tunnels of London's past. This event is organised by the Bee Keepers in conjunction with the very cool and free events, arts and musicology London public project - The Tree House gallery.



For further information:
The Bee Keepers - Pirate Day


Info:
There are other rivers of London which lie concealed, encased in tunnels or in pipes, occasionally to be heard but generally running silently and invisibly beneath the surface of the city. To name them in order, west to east – Stamford Brook, the Wandle, Counter’s Creek, the Falcoln, the Westbourne, the Tyburn, the Effra, the Fleet, the Walbrook, Neckinger and the Earl’s Sluice, the Peck and the Ravensbourne.
It has always been said that enchantment is bought in the burying alive of great waters, yet the purchase may be a perilous one.
Peter Ackroyd, ‘London’ p 555

CITY OF LONDON & PIRATES

The City of London is built on burial sites, on entombed rivers and buried treasure.
In the ‘Golden Age’ – from about 1650 – 1720 – pirates operated from London, many licensed by the State. Pirates were lodged in Deptford – right next to Greenwich and the Royal Navy who often pursued them on the High Seas – and on the other side of the Thames, at Wappingside.
The Neckinger – a stream that ran from Bermondsey Abbey to the Thames, part of which is now St Saviour’s Dock – took its named from Neckinger Wharf where pirates were executed, according to folklore. The rope used to hang them became known as the Devil’s neck-cloth or ‘neckinger’.
PIRATE PLUNDER

Pirate loot was carefully reinvested. Many of London’s great institutions built their foundations on pirate plunder: the silver of the Incans and the gold of the Aztecs. Stolen from civilisations of the New World, seized again from foreign ships of the Old World by British privateers, and brought back to London. This money paid for the growth of the City.
The history has been paved over, buried beneath the streets and the every day by bricks and mortar. Dark subterranean veins – associated with crime, alcohol, deformity, disorder, stench and agues – run through London’s financial heart.
The lost rivers have become repositories for discarded and forgotten objects. An anchor was recovered from the Fleet as far North as Kentish Town. Their silted arteries yield coins, daggers, brooches, medals, keys and pins. Things dropped between grates, by accident. Sentimental keepsakes washed into the underworld by the wind and the rain.
  • Discover the lost rivers connecting London: we will be processing along the routes of the Fleet, Tyburn and Walbrook, looking for clues revealing their progress through the City and finding buried treasure along the way.
  • Unearth the City’s past: we will visit the sites of City institutions that did very well out of piracy. Bring a spade and an open mind.
  • Spin a yarn: there will be readings at the Treehouse Gallery from Robert Louis Stevenson, Daniel Defoe and other writers inspired by the piratical past.
  • Recover the loot: make your own treasure. The Beekeepers will run workshops to make precious things – rings, bracelets, bookmarks, you name it – from recycled materials, ingenuity and pluck.
  • Hunt for treasure: the treeHouse Gallery is a treasure-trove of knowledge and ideas. We’ve buried some clues around the place.
  • ‘X’ marks the spot: Pirates operated a kind of anarchist democracy. We’ll be staging a debate: should piracy be renationalised? Join in and cast your vote.
Phone Tim on 07905 277719 for more details, or email info@thebeekeepers.com.

Tuesday, December 29, 2009

Opus Artz - space painting e-book



Opus Artz - space and environment specialist Dr. CM Wong's mammoth 161 page e-book is now available on release at the good folks at CGsociety store and 3DTotal.

Here is what they had to say:

3D Total: Space Painting - Tutorial eBook



This mammoth 161 page eBook is an extremely detailed exploration
of the techniques and design approaches behind creating epic and lavish digital artwork relating to the theme of Space and Science Fiction.The series is divided into three main categories; Planets & Starfields, Transport and Environments and spans across 12 in depth chapters in total. The tutorials on offer cover a multitude of techniques and useful tips and tricks to painting all aspects of space and deals with the tools in Photoshop used to create such effects.

The author covers a multitude of the aesthetic considerations behind producing the wide array of both digital and traditional artwork alike,
as well as much of the scientific theory relevant to the design process ensuring a measured and realistic approach to the subject matter.

We look at traditional sketching techniques common to many design studios and how these practices work hand in hand with digital methods and all along ensuring a practical approach to solving the artistic issues, producing both plausible and yet imaginative concepts.

The Splendorous Form of Noise

To see the following video you should enlarge it (double-click once playing).



The above is a compilation of works by the Swiss artist Zimoun.

1. Funny, one keeps telling oneself, enough of the minimal already, somehow feeling that less is a bore should be embraced, and the outrageously overflowing art of the recent years - appreciated and encouraged. And then, something like this appears, and it's irresistible. We've seen things from this universe before, also on this blog, and yet, the simplicity, yes, the damn purity takes over again.

2. I had a chance, recently, to visit several large factories. There were wonders there that could probably match most of the things on this video. Yet there was one thing they couldn't do: be useless. It's the sheer uselessness of it that gives it the power. We are not attached to anything but the thing. Art as the thing-that-cannot-be-used? Not necessarily, not in some purist sense. Great industrial design is to be cherished. And yet, there is a level of insanity here, of out-of-this-world-ness, that takes us to an exotic land, allowing for the silliest and most delicious connections to be made.

3. Luxury requires waste. A truly luxurious lifestyle is one where perfectly good things get wasted, as if to outplay their natural use and dying away. The true master of luxury seems to be saying her opulence is so great, the very perseverence of things is no match - they lose their original function and only exist to the extent they are participating in this out-of-this-world-ness of luxury.
You know what I'm aiming at? Here's the hypothesis:

4. This, this minimalist joyful pleasure-making, is the true luxury. Not the apparent richness of the new complexities. In the world of useless purity, everything only serves the joy of simple aesthetic pleasure. More complex works are not quite like that - they have an inner game to play. The elements enter a dialogue, start relations and societies, with their conflicts and functions and disruptions. Here, there is only the ping of a shot of pleasure. This engine moves nothing. It is here to make me smile (or bring inspiration, or scare) - and I turn it off as soon as I have. And don't be mistaken - if I had one of those and got bored with and could afford it, it would go to waste.

4a. Ah, you might say, but the truly great art is one we don't get bored with. Possibly. Yet how often do we actually go back to contemplate (not just think about or admire or analyze) a work of contemporary "minimalist" art? Does it mean it's because it's not that great? What if it's about something else? What if it is an element of luxury, a game we play with ourselves, to feel the exquisite taste of the sophisticated dish, and then to ditch it as soon as we're fed up? It wouldn't be a question of bluff, of fakeness, of shallowness. It would be a question of use. Of why we crave it, this new. Of how we make it useful after all.

David Foldvari, Wrestler


(via)

The Splendorous Form of Noise

To see the following video you should enlarge it (double-click once playing).



The above is a compilation of works by the Swiss artist Zimoun.

1. Funny, one keeps telling oneself, enough of the minimal already, somehow feeling that less is a bore should be embraced, and the outrageously overflowing art of the recent years - appreciated and encouraged. And then, something like this appears, and it's irresistible. We've seen things from this universe before, also on this blog, and yet, the simplicity, yes, the damn purity takes over again.

2. I had a chance, recently, to visit several large factories. There were wonders there that could probably match most of the things on this video. Yet there was one thing they couldn't do: be useless. It's the sheer uselessness of it that gives it the power. We are not attached to anything but the thing. Art as the thing-that-cannot-be-used? Not necessarily, not in some purist sense. Great industrial design is to be cherished. And yet, there is a level of insanity here, of out-of-this-world-ness, that takes us to an exotic land, allowing for the silliest and most delicious connections to be made.

3. Luxury requires waste. A truly luxurious lifestyle is one where perfectly good things get wasted, as if to outplay their natural use and dying away. The true master of luxury seems to be saying her opulence is so great, the very perseverence of things is no match - they lose their original function and only exist to the extent they are participating in this out-of-this-world-ness of luxury.
You know what I'm aiming at? Here's the hypothesis:

4. This, this minimalist joyful pleasure-making, is the true luxury. Not the apparent richness of the new complexities. In the world of useless purity, everything only serves the joy of simple aesthetic pleasure. More complex works are not quite like that - they have an inner game to play. The elements enter a dialogue, start relations and societies, with their conflicts and functions and disruptions. Here, there is only the ping of a shot of pleasure. This engine moves nothing. It is here to make me smile (or bring inspiration, or scare) - and I turn it off as soon as I have. And don't be mistaken - if I had one of those and got bored with and could afford it, it would go to waste.

4a. Ah, you might say, but the truly great art is one we don't get bored with. Possibly. Yet how often do we actually go back to contemplate (not just think about or admire or analyze) a work of contemporary "minimalist" art? Does it mean it's because it's not that great? What if it's about something else? What if it is an element of luxury, a game we play with ourselves, to feel the exquisite taste of the sophisticated dish, and then to ditch it as soon as we're fed up? It wouldn't be a question of bluff, of fakeness, of shallowness. It would be a question of use. Of why we crave it, this new. Of how we make it useful after all.

David Foldvari, Wrestler


(via)

Karma Voting?

The use of the Karma button on a website is simply another sign of a delusional belief that we have the elitist right to judge another individual. I do not believe Karma is a good idea when used in the way it is being used here.

Karma is nothing more than moral causation. It was “invented” in India and later explained by the Buddhist as a perception of a totally ill-balanced world. It speaks to the inequalities and manifold destinies of individuals and the many grades of those individuals.

In the context of message boards, karma “voting” satisfies the need of lower class individuals to attempt to even out these differences, to seemingly give themselves some measure of importance and equality. It is a race for superiority, a false belief of the measure of the individual. It is used by the uneducated in a false attempt to increase their own mental, moral and physical qualities over another. The more karma one achieves, the more virtuous and holy they are, while demeaning others as poor, miserable individuals in spite of their own honesty and piety.

In truth, no individual can alter another person's karma. Karma is a natural occurrence. There is nothing in this world that happens by blind chance or accident. Strictly speaking, nothing happens to man that he does not deserve for some reason or another, and the act of another individual cannot change ones true karma. Anyone who attempts to alter another person's karma is falsely acting as a god of sorts. And, who among us would believe that anyone who acts as a god is not delusional? Or an elitist?

Who among us has commanded water to seek it’s own level, that fire should burn or that the sun shall give life? These are intrinsic characteristics. Karma is neither fate nor predestination imposed by another. It is one’s own doing reacting on oneself, and only the individual has the power to divert the course of their own karma to any extent.

No, the use of karma on a message board is nothing more than an illusion, a lie to those who are led to believe that it will make some difference in the scope of things. And, yes, someone, perhaps more than one of the 252 users of this board believe in this false karma. I believe it is laughable and an insult to the intelligence of others on the board.

I have attempted to show the absolute idiocy in the choice of this “feature” as a “tool”. It does nothing more than feed the idiots who believe that it is a truism and ends up destroying what is claimed to be a community. In a real community, individuals strive to come together as equals for the common good, hence the word “community!”

If one really wants to create harmony in the community, they will strive to pull people together, be honest in all that they do, help others even at the cost of their own well-being and be a good person!

You have to question why anyone would want to put into place a tool that works against the very community that they have tried to create. Anyone with a shred of intelligence sees that this is counterproductive. Or is it really just a form of reverse karma? And, if so, it is pure genius?

Reverse karma has been associated with the sages and prophets over time: The sun being the center of the solar system and the world being round and not flat are two concepts that were immensely unpopular at the time of their first suggestion. In the spectrum of life: it is sometimes the unpopular 2-percent of opinions that change worldview.

Bottom line: I don't care about judged karma. I absolutely know that I am in control of my own karma and it cannot be altered by others.


ON THE DIFFICULTY OF DRAWING WOMEN'S FACES

One could easily devote a long and joyful lifetime to cataloging the differences between men and women without ever pausing to consider the higher significance of those differences. That is certainly the safest approach.

But as the astute Goethe noted, "Nothing is harder to take than a succession of fair days," and every once in a while (usually at the end of a year in which one hasn't met his full quota of foolhardy behavior) a person will deliberately risk life and limb by exploring the significance of those differences out loud.

It is in that spirit that I set out today to consider why it is more difficult to draw women's faces than men's faces.

Artists quickly learn that men's faces are easier to draw because men have bone structures and muscle groupings that are more pronounced than women's. Male heads are generally more blocky and angular; they tend to have stronger jaws, square chins and prominent brows. These features provide artists with easy opportunities to employ distinctive lines, strong shadows and recognizable shapes to achieve a resemblance.


From the Famous Artists School course materials, "Constructing the Head and Hands."

Women's faces, on the other hand, tend to be smoother and softer, with rounder shapes and subtler, more delicate features which require greater restraint.

Another difference that makes men's faces easier to draw is that, "as the man matures he develops larger, deeper wrinkles while the woman develops smaller ones because her skin is finer textured and her bones and muscles are less prominent." If an artist wants to capture a likeness using lines, it is much easier if the subject has lines that were already mapped by nature.

Note in the following examples how men's sharper angles, prominent facial muscles and deeper wrinkles have provided artists with more tools for describing a form.


Here, Mort Drucker sculpts the male face, but on the woman's face he stops with just the outline. Her features can't be rendered effectively using the same kind of approach, and must be implied instead.


Here, Leonard Starr puts a strong chin, nose, cheekbones and brow on the man (while making it clear from facial expressions that the woman has the stronger mind).


Here, Norman Lindsay tries to deal with the difference between men and women by using small dots to convey the woman's features, while using lines for the man.

The special challenge of a woman's face is that it compels artists to describe subtler forms with fewer lines and less obvious shapes, depriving artists of some of the most fundamental tools in their tool kit. In the following image, Leonard Starr limits himself to little more than an outline of the face but nevertheless gives us important information about the contour of her cheek simply by leaning more heavily on his brush on portions of the right side of her face.



So what is the larger significance of these observations about the differences in drawing the faces of men and women?

Part of the magical power of drawing is that it can lead us unexpectedly to larger truths. The principles we encounter in drawing the faces of men and women often seem rooted in fundamental realities about the sexes:

Like their faces, men's personalities are more easily reduced to a line than women's personalities. Like their facial features, men tend to be more obvious than women. (Artists frequently bear witness to such triumphs of physiognomy!)

Women, on the other hand, are sometimes best understood implicitly and indirectly; the discipline of describing form without heavy reliance on lines requires subtlety, appreciation and restraint but you can sometimes achieve a far better likeness that way.

Regardless of whether these larger principles resonate with you, I am sure we can all agree that if an artist lacks the patience for the complexity of ambiguity, you can't compensate for that lack by substituting more (or more emphatic) lines of the type that you use for a man's face. In such situations, "more" will invariably turn out to be "less."

Bioshock 2 illustrators Opus Artz join Tiga

Opus Artz Joins TIGA - press release



Bioshock2 Illustrators Join TIGA

Extract:

Versatile British art studio wants to raise the profile of 'games as art'
London-based art outsourcing group Opus Artz – which has recently produced concept art for Bioshock 2 – is the latest company to join games industry group Tiga.
The firm has international clients based in the film, game and publishing industries, with services ranging from key art to industrial design and concept art.
As well as providing its services for Bioshock 2, the group is also playing a part in Southpeak Interactive’s Edge of Twilight project.
The company’s founder, Dr Chee Ming Wong, said the group wanted to join Tiga to “raise the profile of video games as the 8th art”, and at the same time linked that concept to a speech made by Denis Dyack.

Opus Artz Joins TIGA



03 September 2009


TIGA, the trade association representing the UK’s games industry, today announced Opus Artz as its newest member. 



Opus Artz is a visualisation centric art outsourcing studio based in London, UK with a global client base in film, games and publishing. Services include Key Art, Industrial Design, Illustration and Concept Art. Current projects include Bioshock 2 (Xbox360, PS3, PC) for 2K Marin and Edge of Twilight (Xbox360, PS3, PC) for Fuzzyeyes / Southpeak Interactive.


Dr Chee Ming Wong, Director and Founder of Opus Artz states: “At Opus Artz we pride ourselves on our personal touch, providing professional and experienced support with the aim to ensure that our client’s products are the best available on the market. We live, dream and breathe art and work collaboratively with our clients to deliver exceptional results on time and on budget.”


On joining TIGA Wong stated: “We believe in the impact of producing great concept art that contribute towards making games successful. To both inspire and define a unique visual art style and thus distinguish and enhance the overall production process.”


“We would like to work with TIGA to raise the profile of video games as the 8th art [as proposed by Denis Dyack at Silicon Knights]. There is phenomenal talent in our industry and the visual beauty of some games can literally take your breath away. We would like to see more done to promote video games as a medium which inspires, immerses and enthrals its users, rather than simply as a pure entertainment platform.”


“In addition, we would also like to work closely with TIGA on improving the links between academia and industry with regards
to the Visual Arts. We have noted TIGA’s work to bring industry and educators together and we welcome this.”


Richard Wilson, TIGA CEO stated: “Opus Artz have a very commendable ethos of cross participation and art exchange between all levels of disciplines, artists and groups across the entertainment industry. This is something that TIGA also aims to foster within the games industry and among creative industries, academia and others through the Play Together initiatives. We look forward to working closely with Opus Artz on this and other programs in the future.”

Monday, December 28, 2009

Feel Like a Million with Just $100

Whether or not we experience prosperity in our lives is a simple matter of whether we approach life from a place of scarcity or a place of abundance.

No doubt, you could come up with a list of justifications for your feelings of scarcity and lack. Certainly the evidence is all around you: bills, debt, taxes, poor job market, and inflation. You can be as right as you want to be about your feelings of poverty. Indeed you can spend your whole life - like many people do - in "survival mode".

The problem is, you've been surviving just fine all your life. You're alive, you have a roof over your head, a warm place to sleep tonight, food in your belly…heck, you've even got an internet connection. How much more evidence do you need that you've long ago mastered the art of survival.

What you're looking for now is not a way to survive. You have that. You're looking for a way to thrive. And to start making that shift, here's an excellent little exercise.

The $100 process is simple. From your savings or your next paycheck (or, if need be, from the accumulation of little bits taken out of several consecutive paychecks), go to the bank and get yourself a $100 bill. Put that $100 bill in your wallet.

Then, as you go about your daily life, start to notice the various things you spend that $100 on. When you pass a favorite storefront window and see a coveted item calling you there, imagine yourself going into the store and buying it with that bill. Don't actually do it, now. Just imagine yourself doing it. Remind yourself that you could, if you really wanted to, have that item right here and now.

Do that as many times as you can throughout your day. Imagine yourself taking a cab (or a limo!) across town, instead of the bus. Imagine eating lunch at a fine restaurant instead of fast food. Imagine yourself in that new outfit you want. Imagine yourself buying a thoughtful gift for a loved one.

The more you imagine yourself spending that $100 in your pocket or purse, the more you align yourself with the vibration or energy of abundance. And because you have an actual $100 in your pocket or purse, it's more than make-believe, more than playing pretend. Because you actually do have the funds to pay for each of those things right here and now.

The fact that you choose not to spend it, rather than feeling forced by your financial situation into denying yourself, simply reinforces that feeling of abundance. It puts the power of having and not having in your hands, where it should be, rather than in the hands of fate and circumstance, where it does not belong.

In this way, you visualize yourself spending several thousand dollars a day, all the while maintaining a crisp $100 bill on your person. It makes you the decider of your fate, not some illusory life circumstances. And the more you practice doing this, the more and more aligned you will become with having all that you desire.

Prosperity and abundance - like scarcity and lack - are a state of mind. Approaching life from a place of prosperity and abundance is as valid and right and true as approaching it from survival mode. But just as evidence of your perceived poverty can be found all around you, so can equally unequivocal evidence of abundance.

Practice the $100 process and start making the shift now to seeing, and ultimately experiencing, the abundance all around you. Pretty soon you'll feel like a millionaire and you will still have your $100!


Save Me From the Gallup Poll – Kawgooshkanick & Brain Eraser

After a long pause, SMFTGP returns with two decidedly different approaches, both documented nearly a year ago.


First up is Kawgooshkanick, an electric swamp of half-rotted, eel-infested compost muck. Lurk in the bogs of a post-civilized river valley, home to mysterious tribes of telepathic warrior kings whose vengeance broods stealth beneath slime-covered waters. 









Next comes Brain Eraser, an audio testament to the power-mantra of matter over mind. Like an awful, cheap beer buzz – no high, no motor skills. Just dull thuds followed by high frequency flares, swirling in the cavernous hole that once housed your consciousness. Download this one and move it directly to your PC’s trash bin. 


Physical releases planned by year’s end. Pre-order yours tomorrow!

Choosing the Best Family Portrait

Parents often want to capture a moment where every member of the family is present. A family portrait has a potential to become an heirloom that can last through the next generations. While you may benefit from this, you also can have something for your children and their children after that. Whatever the occasion may be, you know that you have to get the right photographer. This is not just an everyday event. Usually, members of the family dress up for that one shot. When you accomplish getting the photo that you want, you can tell stories that happened during that day.

This is an investment that will be very much worth the effort. After all, you will create something that can become extremely valuable. People like to know about their roots, and while they may have stories to back them up, it is always nice to put a face on every character. That is why choosing the perfect professional is of utmost importance. A right photographer knows what to look for, what to shoot, and the atmosphere to create.

Because talents are unique, each photographer will have their own strengths to boast of. You can look through their styles and see which one matches your personality. In a way it is a marriage between the one taking the picture and the one smiling in front of the camera. Group shots are tricky, especially when little children are involved. Ask them what they can do to make everything possible and make sure that you have more than one shot to choose from.

Quality is what you need to look for, and while you need to invest more, you get pictures that stand the test of time. Ask for their session fees and see what you get for the price that you pay. Everyone should be happy with the results in the end.
Author: John Paul Grant

About the Author:
John Paul Grant is a web professional and a photography enthusiast. He believes that in taking great pictures, you are able to capture life’s beautiful moments.

Art & Entertainment

Parents often want to capture a moment where every member of the family is present. A family portrait has a potential to become an heirloom that can last through the next generations. ..... Author: John Paul Grant

For someone who collects photographic art, the photo frame design is often just as important as the selection and installation of the photos themselves. It is crucial that photography collectors choose frames that are pleasing to the eye so they can showcase their artwork as best as possible and enhance its aesthetic statement with a complimentary frame design. Fallbrook art collectors have many resources at their fingertips when they go to frame and install their photographs and other pieces of art. Author: groshan fabiola


As with choosing any art piece whether it is a print, original painting, sculpture, photograph or collectable, you can make or break a room choosing incorrectly. You can make quite a statement with the correct art piece! It can communicate on many different levels. Author: wbdoyle


For everyone the definition of painting differs. For some it is the art of expression for others it’s a source of breakthrough or entertainment. The art of painting sustained through several civilization and cultures. Paintings have been a source of liberalization, livelihood, exploration, expressionism and hobby. Though the ages we have seen the evolution in painting from cave painting, cubism to modern art. ..... Author: amberiandreuje




Count Bass D & DJ Pocket - In The Loop (2009)




01. Everyday Ritual
02. Cash On Delivery
03. Quid Pro Quo
04. Praise Me feat. H2O & Flux
05. Hit It Hard
06. Best Of Both Worlds Freestyle
07. It's Just One Of Those Days
08. Palease
09. X Sighted
10. Mazel Tov
11. New Day
12. DJ Pocket's Diatribe
13. Surprise
14. Count's Diatribe
15. Yo What's Up
16. So Ambitious Freestyle

Sunday, December 27, 2009

5 Tips For Choosing The Right Motivational Posters For The Office

As with choosing any art piece whether it is a print, original painting, sculpture, photograph or collectable, you can make or break a room choosing incorrectly.

You can make quite a statement with the correct art piece! It can communicate on many different levels.

Have you ever walked into an office for the very first time and while waiting, find yourself looking around, examining everything in the room? You can get a real good feel for the people there and get a sense of what they are all about.

From your own experiences and observations you’ve probably seen people with very good taste and then again, people who do not seem to have a clue about design or even worse yet, people who don’t care a hoot about aesthetics at all!

But if you are reading this article, then I’m sure you are not one of those people in the last category! Thank Goodness! We need all the aesthetics we can get on this sometimes seemingly wacky place we live!

Tip # 1
And probably the most important, if you don’t absolutely love it, don’t buy it!

Tip # 2
If you are making the art piece the focal point of the room, build around it. All the office furniture and accessories should compliment the print.

Tip # 3
Don’t overpower the poster with too much color on the walls or furniture unless it is a very dramatic print that can carry it well! It will just disappear into the background.

Tip # 4
What is it that you want to convey to your employees, leadership, initiative, teamwork, success, confidence, determination? It’s important to get across the right message. A captivating print with an inspirational quote can be a powerful tool that can help motivate staff and impress clients who come to your place of business.

Tip # 5
Choosing the right frame can make a huge difference in the overall appearance of the motivational posters you choose. You want people to see the prints and get your message across so choose carefully.

If a motivational poster or print moves you and you feel it will motivate other who see it, then you have a winner!!!

Enjoy the research of finding what is right for your office!
Author: wbdoyle

Article Source: http://www.articlealley.com/article_1103834_24.html
Retired US Navy. Married 20+ years. Home Inchon, Korea. Work Seoul, Korea.
http://www.wbdoyle.com/blog/

The Importance of Good Photo Frame Design

For someone who collects photographic art, the photo frame design is often just as important as the selection and installation of the photos themselves. It is crucial that photography collectors choose frames that are pleasing to the eye so they can showcase their artwork as best as possible and enhance its aesthetic statement with a complimentary frame design. Fallbrook art collectors have many resources at their fingertips when they go to frame and install their photographs and other pieces of art. Southern California art consultants offer a wide variety of design resources and framing options, whether you purchase art through them or bring in photographs from other sources to have them framed.

There are many factors to consider when you invest in frame services for a piece of photographic art. The appearance of the photo frame design is obviously important, but it is also crucial to choose a frame that will protect the photo print material and increase its lifespan for years to come. A beautiful piece of photographic art can sustain unsightly damage over time when left unprotected, and it will eventually become an eyesore in the home. So when looking at frame design, Fallbrook art collectors must also consider how well the frame protects the art from damage.

If you simply display a piece of photographic art without investing in frame services to protect and display it, the photo could start to show damage in as little as a few weeks as it tears along the corners or edges. Fading or discoloring can cause damage to an unprotected art print too, as it is exposed to direct sunlight and other elements. Dust and moisture in the air will also cause a great deal of damage to the print over time. Luckily, there are Southern California art consultants that can frame your print and protect it from all this wear and tear.

Make sure the frame shop provides acid free backings, mats and mounting materials that will not cause damage to your art piece, and look for a UV filtering glass to protect from ultraviolet light. When hanging the print make sure to use proper mounting materials and never put it where direct sunlight will hit it every day. This way you’ll have the piece of art for many years to come.

Author: groshan fabiola

For more resources regarding Camp Pendleton Frame Design or even about Temecula Frame Design and especially about Frame Design Murrieta please review these pages.
Article Source: http://www.articlealley.com/article_1119736_15.html

Opus Artz at Games Connection Lyon 2009



Opus Artz will be present at the Games Connection Lyon on Dec 8-10th 2009, and would love to meet and discuss your visual development needs.

Our key services includes: Key Visualization scenes; Character Concepts; Environment & Industrial Design; and Production designs.

For an appointment, please contact us:

info@opusartz.com | +44 (0) 20 3138 1548

Saturday, December 26, 2009

Top Young Women Pop Music Artists

Many women's names come to mind when we think of pop music. Today, many new faces are showing up on the pop music scene, many of whom are women under the age of 30. Who are some of these top women artists?

1. Amy Lee (b. 1981) - You may know Lee more as the lead singer of Evanescence. With an almost angelic voice along with some heavy metal music, Lee is known for "Bring Me To Life", which received 2004 Grammy Award for Best Hard Rock Performance. Lee, a classically trained pianist, founded Evanescence in 1995 and by the late 90's the group had released its major-label debut, Fallen, which featured not only the award winning single "Bring Me To Life" but also "Going Under" and "My Immortal." Fallen went on to sell fourteen million copies worldwide. Amy Lee was born to parents John Lee, a disc jockey and TV personality, and Sara Cargill.

2. Amy Winehouse (b. 1983) - Winehouse's notoriety has more to do with her personality at times than her voice. Winehouse is most noted for her song Rehab, where she won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance. Her album Back to Black was nominated for Album of the Year and won the Record of the Year award. Amy Jade Winehouse (born 14 September 1983) is known for her eclectic mix of various musical genres including R&B, soul, jazz, and rock & roll.

3. Joss Stone (b. 1987) - Stone, another British rocker, is likened to Aretha Franklin. Stone became a familiar name in late 2003 with her multi-platinum debut album The Soul Sessions. Her second album, which also received multi-platinum awards, Mind, Body & Soul, topped UK Album charts and led with its top ten hit "You Had Me". Stone has sold over 10 million albums worldwide. Joss Stone, born Jocelyn Eve Stoker, is considered a soul and R&B singer–songwriter and actress. She also made her acting debut in late 2006 with the fantasy adventure film Eragon, as the witch Angela, and she made her television debut portraying Anne of Cleves in the Showtime series The Tudors in 2009.

4. Rihanna (b. 1988) After moving to the United States at age of 16, she pursued her recording career and signed with Def Jam Recordings. In 2005, Rihanna released her debut studio album, Music of the Sun, which peaked within the top ten of the Billboard 200 and features the Billboard Hot 100 hit single "Pon de Replay". Success was instant for Rihanna as within the same year she released her second studio album, A Girl Like Me (2006), which peaked within the top five of the Billboard albums chart. Singles for Rihanna include "Umbrella", "Take a Bow", "Disturbia", and "Don't Stop The Music". Rihanna has sold over 12 million albums worldwide in her four-year career span. Robyn Rihanna Fenty was born in Saint Michael, Barbados.

5. Stefani Joanne Angelina Germanotta (b. 1986) is better known by her stage name Lady Gaga. After being signed to and quickly dropped from Def Jam Records at age 19, she began performing in the rock music scene of New York City's Lower East Side. Her debut album The Fame, was released in August 2008 and achieved instant access, topping the Billboard with singles "Just Dance" and "Poker Face". To date, Lady Gaga has sold over 20 million digital singles and more than four million albums worldwide.

6. Avril Lavigne (b. 1984) - Avril Ramona Lavigne is a Canadian singer-songwriter, fashion designer, and actress. Lavigne became most notorious her debut album, Let Go, released in 2002. As of 2009, over 16 million copies were sold worldwide, more than 6 million of which were sold in the United States. Her second and third album, Under My Skin and The Best Damn Thing, reached number one on the Global charts. Lavigne has scored five number-one singles worldwide, including "Complicated", "Sk8er Boi", "I'm With You", "My Happy Ending" and "Girlfriend". Lavigne has sold more than 30 million copies of her albums worldwide.

7. Katy Perry (b. 1984) was born Katheryn Elizabeth Hudson in Santa Barbara, California. The second child of two pastors, she has an older sister and younger brother. Perry is most notorious for her single "Kissed A Girl", released in 2008 and "Hot N Cold". "Kissed A Girl" peaked at number one on the Hot Digital Songs charts, the Pop 100, and the Billboard Hot 100. "Hot N Cold" peaked at number three on the Hot Digital Songs charts, number one on the Pop 100, and number three on the Billboard Hot 10.

8. Leona Lewis (b. 1985) Leona Louise Lewis, an English pop and R&B singer–songwriter. Lewis debut single "A Moment Like This" became the fastest selling UK single followed quickly by her single "Bleeding Love", which reached number one over thirty singles charts around the world. Lewis is also known for her work on the British television series The X Factor. Lewis has sold over 6.5 million albums worldwide.

9. Natsha Bedingfield (b. 1981) Natasha Anne is also a British pop singer and songwriter. Bedingfield is known for her first album "Unwritten" in 2004 which sold 2.3 million copies worldwide. This was followed in 2008 by her successful single "Pocketfull of Sunshine" Bedingfield was born in Surrey to New Zealand-born Molly and John Bedingfield who are both charity workers.

Author: JBachmeier

Jeff Bachmeier is owner of 977music.com, an online music and online radio station network providing live streaming Internet Radio channels with music from the 50’s thru Today. Users can also choose to create their own customized on demand playlist through their own social media profile. For more information please visit http://www.977music.com.

Article Source: http://www.articlealley.com/article_1223013_48.html
Jeff Bachmeier is owner of 977music.com, an online music and online radio station network providing live streaming Internet Radio channels with music from the 50’s thru Today. Users can also choose to create their own customized on demand playlist through their own social media profile. For more information please visit http:///www.977music.com.